VNH artist

Mai-Thu Perret

Born in Geneva, Switzerland in 1976.
Lives and works in Geneva.

"I definitely think that the history of art, like Western history as a whole, has been male-dominated. I'm interested in revisionist histories and histories that focus on forgotten or marginalized figures and realities. I like to use my work as a kind of speculative space to imagine different futures or untold stories.”

Since 2008 : Professor at HEAD, University of Arts and Design, Geneva (CH)
2002 : Whitney Independent Study Program, Whitney Museum of American Art, New York (USA)
1997 : BA in English, Cambridge University (UK)

Solo Exhibitions

Grammar and Glamour, Badischer Kunstverein, Karlsruhe (Germany)
The Blazing World, Spike Island, Bristol (UK)

Viewing Room, Simon Lee, London (UK)
Mai Thu Perret, MAMCO, Geneva (Switzerland)
Fillette, Galerie Francesca Pia, Zürich (Switzerland)

Féminaire, David Kordansky Gallery, Los Angeles (USA)
Go and become the incense burner in the old shrine, NICC, Brussels (Belgium)

Sightings, Nasher Sculpture Center Dallas (USA)
Mai-Thu Perret: Zone, Simon Lee Gallery, London (UK)

rue Saint-Bon, Kilims & Commas, Paris (France)
Flow my tears, Galerie Joy de Rouvre, Geneva (CH)
Moon Palace, Blondeau & Cie, Geneva (CH)
Nasher Sculpture Center, Dallas (USA)

Astral Plane, Simon Lee Gallery, Hong Kong (China)
Slow Wave, David Kordansky Gallery, Los Angeles (USA)

The Prairie, Galerie Francesca Pia, Zurich (CH)

Mai-Thu Perret. Galerie Barbara Weiss, Beast of Burden, Berlin (Germany)

The Adding Machine, Le Magasin, Grenoble (France)
I dream of the code of the west, Haus Konstruktiv, Zürich (CH)
Spectra in Cycle L’éternel détour, séquence d’été, MAMCO, Geneva (CH)
The Adding Machine, Aargauer Kunsthaus, Aarau (CH)
Love Letters in Acient Brick, Swiss Institute Contemporary Art, New York (USA)
Hard Hat, Octopus, Geneva (CH)
Love Letters in Ancient Brick, Théâtre de l’Usine, Geneva (CH)
Migraine, David Kordansky Gallery, Los Angeles (USA)

An Ideal for Living, University of Michigan: Museum of Art, Ann Arbor, Michigan (USA)
Parade, Timothy Taylor Gallery, London (UK)

Alphabet: Paintings and Text Works 2004-2009, Galerie Francesca Pia, Zürich (CH)
The Aspen Art Museum, Aspen (USA)
The Crack-Up, Galerie Praz-Delavallade, Paris (France)

San Francisco Museum of Modern Art, New York & San Francisco (USA)
Bikini, Galerie Barbara Weiss, Berlin (Germany)
Land of Crystal, Kunsthalle Sankt Gallen, St. Gallen (CH)
An Evening of the Book and Other Stories, The Kitchen, New York (USA)

Land of Crystal, Bonnefantenmuseum, Maastricht (Netherlands)
Das Kunstwerk und sein Ort, Atelier Amden, Amden (CH)
Crab Nebula, Galerie Francesca Pia, Zürich (CH)

Hard Hat, An Evening of the Book, Geneva (CH)
And every woman will be a walking synthesis of the universe, The Renaissance Society, Chicago (USA)
Solid Objects (with Valentin Carron), Chisenhale Gallery, London (UK)
Apocalypse Ballet, Galerie Barbara Weiss, Berlin (Germany)

Heroine of the People, Galerie Praz-Delavallade, Paris (France)
Solid Objects, Centre d’Art Contemporain, Geneva (CH)

Statement, presented by Galerie Francesca Pia, ArtBasel 35, Basel (CH)
Love Thy Sister Like Thyself, Centre d’édition contemporaine, Geneva (CH)

Pure self-expression x25, Galerie Francesca Pia, Bern (CH)

The Modern Institute, Glasgow (UK)
We Close Our Eyes In Order To See, Glassbox, Paris (France)

Le Studio, CAN, Land of Crystal, Neuchâtel (CH)

Group Exhibitions

Stars Are Closer and Clouds Are Nutritious Under Golden Trees, MMAG Foundation, Amman (Jordan)
Mengei Now, Sokyo Gallery, Kyoto (Japan)
New Age, New Age: Strategies for Survival, DePaul Art museum – DePaul University, Chicago (USA)
Alentour, Fondation CAB, Brussels (Belgium)

Foundation for Contemporary Arts 2018 Benefit Exhibition, Barbara Gladstone Gallery, New York (USA)
Lampen, Galerie Francesca Pia, Zürich (CH)
By Fire, Ceramic Works, Almine Rech Gallery, New York (USA)
Diaspora Ma Homey, Space 31, Berlin (Germany)
Mademoiselle, CRAC Occitanie, Sète (France)
Sculpture Garden / Biennale, Parc des Eaux-Vives, Genève (Switzerland)
Kunsthaus Zürich, Fashion Drive: Extreme Clothing in Visual Arts, Zürich (Switzerland)
MUDAC, Ligne de Mire, Lausanne (Switzerland)
Villa Vassilieff, Akademia: Performing Life, Paris (France)
The Aldrich Contemporary Art Museum, Object Like Us, Connecticut (USA)
The Met Breuer, The Metropolitan Museum of Art, Like Life: Sculpture, Color and the Body (1300-now), New York (USA)

Age of Terror: Art Since 9/11, Imperial War Museum, London (UK)
Scripts as Afaka, Galerie Anders Hus, Paris (France)
Plurivers, Centre d’art contemporain, Montpellier (France)
Medusa, Musée d’Art Moderne de la Ville de Paris, Paris (France)
Zeitgeist, MAMCO, Genève (Switzerland)
Flatland/abstraction narratives1, MRAC, Sérignan (France)
NEON: THE CHARGED LINE, Grundy Art Gallery, Blackpool (UK)

Charles Blanc-Gatti–Hypothèse d’une généalogie, Musée d’Art de Pully, Pully (France)
Going Public: The Napoleone Collection, Museum Sheffield, Graves Gallery, Sheffield (UK)
The Hellstrom Chronicle, Galerie Barbara Weiss, Berlin (Germany)
Pièces-Meublés, Galerie Patrick Seguin, curated by Bob Nickas, Paris (France)
ALL OVER, Galerie des Galeries, Paris (France)
Zabriskie Point, TEAM 404, Geneva (CH)
What about the color pink? Do you like pink?, Geukens & De Vil, Knokke (Belgium)

The Shadow is Taken, Algus Greenspon, New York (USA)
Reset 1, Priska Pasquer, Cologne (Germany)
Balthazar, VNH Gallery, Paris (France)
Collection on Display: Experimental Arrangements, Migros Museum für Gegenwartskunst, Zürich (CH)
Art en plein air, Art Môtiers, Môtiers (CH)
Galerie Francesca Pia, Group Show, Zurich (CH)
Ceramix art from Gauguin to Schütte, Bonnefantenmuseum, Ceramix, Maastricht (Netherlands)
Triennale de l’art imprimé contemporain, Musée des beaux-arts, Le Locle (France)
Galerist, Eureka!, Istanbul (Turkey)
Work Hard: Selection by Valentin Carron, Swiss Institute, New York (USA)
John Armleder, Stéphane Kropf, John Tremblay, with guests Mai-Thu Perret and Blair Thurman, David Kordansky Gallery, Los Angeles (USA)
BIENS PUBLICS, Musée Rath, Geneva (CH)

Le fil des possibles, L’Espace de l’Art Concret, Mouans-Sartoux (France)
Forms of distancing, Steirischer Herbst, Graz (Austria)
Gastspiel, Schweizer Gegenwartskunst im Museum Rietberg, Zürich (CH)
Bienniale of moving images, Centre d’art contemporain, Geneva (CH)
BASH II, Woodstock Byrdcliffe Guild, Woodstock, New York (USA)
Mingei: Are You Here?, Pace Gallery, New York (USA)
Biennial of Moving Images, Centre d’art contemporain, Geneva (CH)
Maati Ghar, Indira Gandhi National Centre for the Arts, Insert 2014, New Delhi (India)

Decorum. Carpets and Tapestries by Artists, Power Station of Art, Shanghai (China) Desiderata, Aargauer Kunsthaus, Aarau (CH)
Gemini, Galerie Francesca Pia, Zürich (CH)
Decorum- Tapis et tapisseries d’artistes, Musée d’Art Moderne, Paris (France)
Island, Dairy Art Center, London (UK)
Giant Ice Cream Cones, 1m3, Lausanne (CH)
Oasis Mini Gym, Oasis Hotel, Angeles City (Philippines)
At Work – Atelier und Produktion als Thema der Kunst, Museum für Gegenwartskunst, Siegen (Germany)
Female Power, Museum voor Moderne Kunst, Arnhem (Netherlands)
Holes in the Walls : Early Works 1948 – 2013, Fri-Art, Fribourg (CH)
Pattern : follow the rules, Eli and Edythe Broad Art Museum, Michigan (USA)
Pro-choice, Fri Art, Fribourg (CH)
LiveInYourHead, Institut curatorial de la head, ELECTRIC FIELDS, Geneva (CH)
Fire it up, Dienstgebäude, Zurich (CH)

LiveinYourHead, Institut curatorial de la Head, 50 Partitions, Geneva (CH)
Tell the Children/ Abstraction pour enfants, La Salle de bains, Lyon (France)
Jubiläum Manor Kunstpreis 2012, Aargauer Kunstaus, La jeunesse est un art, Aarau (CH)
10’000 Stunden. Über Handwerk, Meisterschaft und Scheitern in der Kunst, Kunstmuseum Thurgau, Thurgau (CH)
Ursula Blickle Stiftung, Cosmic Laughter- Timewave Zero then what?, Kraichtal
1m3, Cluster, Lausanne (CH)
Changing States of Mind, Brand New Gallery, Milan (Italy)
Panegyric, Forde, Geneva (CH)
Le Confort Moderne, Le Confort Moderne, Poitiers (France)
Pure Perception, Galleria Monica de Cardenas, Milan (Italy)
Le monde comme volonté et papier peint, Le Consortium, Dijon (France)
Text Textile Texture, Galerie Barbara Weiss, Berlin (Germany)
Eorum Sanai (Ice Man), Arario Gallery, Cheonan (Korea)
The Old, the New, the Different, Kunsthalle Bern, Bern (CH)
The Devils Fidelity, Mariann Goodman Gallery, Paris (France)
Abstract Possible: The Stockholm Synergies, Tensta Konsthall, Stockholm (Sweden)
Parque Industrial, Galeria Luisa Strina, Sao Paolo (Brazil)
Brot und Salz, Sommer & Kohl, Berlin (Germany)
Dancing Towards the Essence, Kunsthaus Grenchen, Grenchen (CH)
Reflecting Fashion – Kunst und Mode, Mumok, Vienna (Austria)
Néon – who’s afraid of red, yellow and blue?, La maison rouge, Paris (France)
New Sculpture, Zacheta National Gallery of Art, Warsaw (Poland)
Shake & Bake, Praz Delavallade, Paris (France)
Nouveau Festival, Centre Pompidou, Paris (France)

ILLUMInations, 54th Venice Biennale, Venice (Italy)
Carte blanche à John M Armleder – All of the above, Palais de Tokyo, Paris (France)
Helvètes vulcains, Mudac, Lausanne (CH)
Abstract Possible, Museo Tamayo, Mexico City (Mexico)
Danser sa vie, Danse et arts visuels au XXe et XXIe siècles, Centre Pompidou, Paris (France)
BEISPIEL SCHWEIZ. Entgrenzungen und Passagen als Kunst, Kunstmuseum Liechtenstein, Vaduz (Austria)

Chartreuse jeune: An intervention by Olaf Nicolai, Casa Taberelli, Cornalano (CH)
Abstract Possible, Malmö Konsthall, Malmö (Sweden)
Go West, Salt Lake Art Center, Utah (USA)
Born Under a Bad Sign, Power House Art Center, Memphis (USA)
While bodies get mirrored – An Exhibition about movement, space and installation, Migros Museum, Zurich (CH)
Charles Fourier ou l’Attraction Passionnée, Musée des Beaux-Arts et d’Archeologie, Besançon (France)
Haus der Kunst, Goldene Zeiten Teil 1, Munich (Germany)

Ludwik Grohman, Villa Anabasis: Rituals of Homecoming, Festival of Dialogue of Four Cultures, Lodz (Poland)
10 Allegories, Galerie Francesca Pia, Zurich (CH)
Utopics, 11th Swiss Sculpture Exhibition, Vienne (Austria)
HEAVEN, 2nd Athens Biennale, Athens (Greece)
Art Unlimited, Basel (CH)
Born to Be Wild, Kunsthalle St. Gallen, St. Gallen (CH)
Beginnings, Middles, And Ends, Christine König Galerie, Vienna (Austria)
Shifting Identities (Swiss) Art Now, CAC Contemporary Art Center, Vilnius (Lithuania)
Fax, The Drawing Center, New York (USA)
Prose pour des Esseintes, Karma International, Zurich (collaboration with John Armleder) (CH)
Ventriloquist, Timothy Taylor Gallery, London (UK)
Regift, Swiss Institute, New York (USA)
Living Together, Montehermoso Cultural Center, Vitoria-Gasteiz (Spain)
A Spoken Word Exhibition, Baltic Center for Contemporary Art, Baltic, Gateshead (UK)
Anabasis. Rituals of Homecoming, Ludwik Grohman Villa, Wrzesnia (Poland)

Shifting Identities – (Swiss) Art today, Kunsthaus Zürich, Zurich (CH)
AURUM, Centre Pasquart, L’or dans l’art contemporain, Bienne (CH)
A Spoken Word, Tranzitdisplay, Prague (Czech Republic)
Abstraction étendue: Une scène romande et ses connexions, Espace de l’Art Concret, Mouans-Sartoux (France)
Abstraction Extension, Château d’Arenthon Fondation pour l’art contemporain, Alex (France)
Black Noise. A Tribute to Steven Parrino, Cneai, Chatou (France)
There is No Story to Tell, Tang Contemporary, Beijing (China)
The Line is a Lonely Hunter-Drawings, New Jersey, Basel (CH)
Le spectrarium, Pavillon Suisse de la Cité internationale universitaire de Paris, Paris (France)
Champion Zero, Champion Fine Arts at Rental Gallery, New York (USA)
Everyday Ideologies, Kunstmuseum Magdeburg, Standort Alltag, Magdeburg (Germany)
Mémoires d’objets, Galerie Lionel Latham, Geneva (CH)
Art and Entrepreneurship, Art Dubai (Dubai)
Chelsea Art Museum, New York (USA)
E-Werk, Berlin (Germany)
Center for contemporary Art, Moscow (Russia)
Centre d`art contemporain, Geneva (CH)
Superstudio Piu, Milan (Italy)
Philips de Pury & Company, London (UK)
The Saints, and music & films by Amy Granat, Sketch, with Fia Backstrom, Jutta
Koether, Amy O’Neill, Angel Turner, Emily Sundblad & Stefan Tcherepnin, London (UK)
Dadadandy Boutique, Artprojx Space, London (UK)

Ballet mécanique, Timothy Taylor Gallery, London (UK)
Euro-Centric, Part 1: New European Art from the Rubell Family Collection, Rubell Family Collection, Miami (USA)
A Spoken Word Exhibition, Swiss Institute, New York (USA)
Black Noise, MAMCO, Geneva (CH)
Anyang, Anyang Public Art Project, (China)
Les artistes de la collection Cahiers d’artistes série VI + VII, Fri-Art, Fribourg (CH)
Tomorrow, Sonjeart Centre and Kimho Art Museum, Seoul (Korea)
An Atlas of Events, Gulbekian Foundation, Lisbonne (Portugal)
00 – L’Histoire d’une décennie qui n’est pas encore nommée, Biennale de Lyon, Lyon (France)
Cherry and Martin, Radiant City, Los Angeles (USA)
Introvert, Extrovert, Makes No Difference, Galerie Catherine Issert, St Paul de Vence (France)
Art en plein air Motiers 2007, Val de Travers (France)
Pure Self Expression, Kölnischer Kunstverein, Cologne (Germany)
Bastard Creatures, Palais de Tokyo, Paris (France)
Midway Minneapolis & Overgarden Coppenhagen (Denmark)
In the poem about love you don’t write love, Minneapolis & Copenhagen (USA/Denmak)
At Home in the Universe, Mongin Art Center, Seoul (Korea)
Tension; Sex; Despair – Who/So – What, Kunsthalle Exnergasse, Vienna (Austria)
Worker, Drone, Queen, Centre Culturel Suisse, Paris (France)
Etats (Faites le vous-même), Palais de Tokyo, Paris (France)
A moitié carré, à moitié fou, Villa Arson, Nice (France)
Open and Shut, Skestos Gabriele Gallery, Chicago (USA)

DADADANDY presents SPACE IS THE PLACE, Ritter/Zamet, London (UK)
Piani Sospetti, Via Nuova arte contemporanea, Florence (Italy)
TBILISI 3. LET’S STAY ALIVE TILL MONDAY, Children National Gallery, Tbilisi (Georgia)
In the poem about love the word love does not appear, Artists Space, New York USA)
Interstellar Low Ways, Hyde Park Art Centre, Chicago (USA)
The Gold Standart, MoMA PS1, New York (USA)
Shiny, Wexner Center for the Arts, Colombus Ohio (USA)
Liverpool Biennial 06, Liverpool (UK)
Madame la baronne était plutôt manièrée, assez roccoco et complètement baroque, Centre d’art Mira Phalaina/Maison Populaire, Montreuil (France)
Modus, Neue Kunsthalle, St. Gallen (CH)
„Unter 30“ IV, Junge Schweizer Kunst/Jeune Art Suisse, CentrePasquArt, Bienne (CH)
Bring the War Home, Elizabeth Dee Gallery and QUED, New York/Los Angeles (USA)
Conversation Pieces, Centre d’Art Contemporain, Geneva (CH)
Lovely Shanghai Music, Zendai Museum of Modern Art, Shanghai (China)
Visioni del paradiso, Instituto Svizzero, Rome (Italy)
The Endless Summer, West London Projects, London (UK)
Objets d’hier et d’aujourd’hui, Galerie Edouard Manet, Gennevilliers (France)
Again For Tomorrow, Royal College of Art, London (UK)
Hradacany, La Générale, Paris (France)
Atelier 3ème étage, Sublime Part II, Usine, Geneva (CH)
Eine Person allein in einem Raum mit Coca-Cola-farbenen Wänden, Grazer Kunstverein, Graz (Austria)
Nouvelles Collections, Centre PasquArt, Bienne (CH)

Genève, artistes et créateurs d’aujourd’hui, Centre d’art contemporain, Geneva (CH)
In the Poem about Love the Word Love Does Not Appear, CCA, Glasgow (UK)
Paralleles Leben, Frankfurter Kunstverein, Frankfurt (Germany)
Tbilisi 2, National Arts Center, Wednesday calls the future, Tbilissi (Georgia)
NY Twice, Air de Paris, Paris (France)
Model Modernism, Artists Space, New York (USA)
Situational Prosthetics, New Langton Arts Center, San Francisco (USA)

None of the above, Swiss Institute, New York (USA)
The Age Of Optimism, Galerie Peter Kilchmann, Zurich (CH)
Tuesday is gone, Karvasla, Tiblissi (Georgia)
Fürchte Dich, Helmhaus, Zurich (CH)
Leviathan Rising Under Moon’s Influence, Champion Fine Arts, Brooklyn, NY (USA)
Archives generation upon generation, Year, Brooklyn, NY (USA)
Yellow Pages, MAMCO, Geneva (CH)

Form/Kontext/Troja, Secession, Vienna (Austria)
Socialism – A love letter, Fia Backström Productions, Brooklyn, NY (USA)
Fink Forward the collection/collection, Kunsthaus Glarus, Glarus (CH)
The Return of the Creature, Künstlerhaus Thurn und Taxis, Bregenz (Austria)
Turm Gallery Helmstedt, Yellow Pages, Germany; Kunsthalle Palazzo Liestal (CH)

Rock Paper Scissors, Galerie Francesca Pia, Bern (CH)
Espace Arlaud, Get Angry – Perspectives romandes 3, Musée des Beaux-Arts de Lausanne, Lausanne (CH)
Alimentation Générale Art Contemporain, Wahrscheinlich (vraisemblablement),
The New Domestic Landscape, Luxembourg Galeria Javier Lopez, Madrid (Spain)

Dr Wings, Air de Paris, Paris (France)
Why can’t monsters get along with other monsters, Galerie Francesca Pia, Bern (CH)
Preview for Museum of Contemporary Art Tucson, Etat des lieux #2, Fri-Art, Fribourg (CH)

Projects organized, curated and co-curated

Live in your head, Electric Fields (in collaboration with Pauline Beaudemont, Julia Burns, Chloé Delarue, Simone Holliger and Quentin Lannes) Geneva (CH)
Mamco at Art Genève, Armada, Geneva (CH)

My sister’s hand in mine, a room in the exhibition Horizont Schweiz, Kunstmuseum Lichtenstein, Vaduz (Liechtenstein)

Voids. Eine Retrospektive (in collaboration with
John Armleder, Laurent LeBon, Mathieu Copeland, Gustav Metzger, Philippe Pirotte
and Clive Philpot), Centre Pompidou / Kunsthalle Bern, Paris / Bern (France/CH)

A Tribute to Steven Parrino (in collaboration with John Armleder
and Jérôme Massard), Cneai, Black Noise, Chatou (France)

A Tribute to Steven Parrino (in collaboration with John Armleder
and Jérôme Massard), Mamco, Black Noise, Geneva (CH)

Boys Keep Swinging, Champion Fine Arts, New York
Homosocial, Champion Fine Arts, Brooklyn, New York

Le Rayon noir (in collaboration with Fabrice Stroun), Circuit, Lausanne (CH)
Love is a battlefield (in collaboration with Daniel Baumann and Fabrice
Stroun), 27 Canal, New York

Le Jardin de la Violence/Der Garten der Gewalt (Expo 02
project in collaboration with Daniel Baumann, Johannes Gachnang and Fabrice Stroun), Historisches Museum,
Murten (CH)

All work and no play makes Jack a dull boy (in collaboration with
Fabrice Stroun), Galerie Francesca Pia, Bern (CH)

1999 – 2001
Espace d’art contemporain (with Fabrice Stroun), Co-Director of Forde, Geneva (CH)



17 October - 21 December 2015 VNH Gallery
Paris (France)
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